During
my recent stay in Singapore, I was privileged to view a private collection of
vintage and antique bonsai pots. It was probably the most interesting
experience of the entire trip. The collector specialises in purple sand ware
from Yixing, Shiwan ware from Foshan and porcelain. The oldest pots in the
collection date from Ming Dynasty, while the most recent pots date from
Cultural Revolution. A sample of purple sand pots is shown in the images below.
This ware is usually fired to 1100°C with the clay remaining a little porous.
Purple
sand is a generic term which is divided into three clay types based on their
colour. They are: purple clay, orange clay and yellow clay. Examples of pots
made of purple and orange clay are in the images above, while images below show
pots made of yellow clay or pots decorated with it.
Seals
on Yixing pots are important. The information they carry influences the value
of the pot. Both seals in the images below are from Cultural Revolution period.
The one on the left tells us that the pot is made in Yixing, China and give us
the name of the craftsman. The one on the right is in Chinese and English. Apparently,
bonsai pot makers working in Yixing weren’t allowed to sign their pots between
1965 and 1975.
The
next part of the collection was Shiwan ware. Typically, these pots had patterns
created by application of lighter clay with translucent green glaze. They are
fired to stoneware temperature (1300°C) and the clay is fully vitrified. See a
sample of Shiwan bonsai pots in the images below.
The
collection also featured Shiwan storage jars and large planters, which can be
seen in the images below. They make exquisite stands for displaying bonsai too.
There was also a number of exquisitely decorated
porcelain pots. I wasn’t sure about their age, but some of the oldest bonsai
pots are made of porcelain. In fact, I recently came across a mention of such
pots in Kakuzo Okakura’s ‘The Book of Tea’ published in 1906. He writes: “With the development of ceramics during T’ang
and Sung dynasties we hear of wonderful receptacles made to hold plants, not
pots, but jewelled palaces.” I can’t imagine this passage implying anything
other than porcelain pots. Anyway, some of the “jewelled palaces” are shown
below.
Bonsai
pot, however, is not the first thing that comes to mind when you hear porcelain
and there was plenty of that other stuff. Images below show imperial porcelain
bowl, calligraphy water pourer, porcelain pillow, vases and urns. I was even introduced
to the wonderful and weird world of vintage porcelain bird feeders (quite
collectable they are).
Small
pots form a special part of this collection and there was a multitude of them. Despite
their small size they can fetch high prices. They are very collectable and some
of them are shown below.
Finally,
I want bring up something used for displaying bonsai, but rarely mentioned in
Australia - Chinese ceramic stands for flower pots. Below you can see a couple
of them. The one on the left is leached and rustic and could be used for
displaying Japanese bonsai, while the one on the right is more ornate and would
be more suitable for Chinese penjing.
I spoke with the owner
of this amazing collection about many things that day. He told me that twenty
years ago when he started collecting, he was perceived in main
land China as a ‘wealthy’ Singaporean. With the help of a local scout he could obtain
antique and vintage pots at reasonable prices. Now, the times have changed
and he almost reversed the roles with his scout in China. His contact in China
is willing to buy back many of his pots for good money, because now they will fetch
substantial prices in China itself. These days, he said, wealthy Chinese buy a lot
of old Chinese pots from Japan as well. I also asked the collector how many
friends does he have with whom he could have a meaningful conversation about
ceramics in his collection. His reply was: “Not that many, probably four.”
Well, he is much better off than me in this regard.
